Posted inFilm & TVReview: ‘The Holdovers’ Holds Steady for an Oscar Victory by Janet Arvia February 27, 2024February 28, 2024
Posted inFilm & TVReview: Talk Is Chief in ‘Women Talking’ by Janet Arvia March 17, 2023March 24, 2023
Posted inFilm & TVReview: Yeoh is ‘Everything Everywhere All At Once’ by Janet Arvia March 8, 2023September 28, 2025
Posted inFilm & TVReview: Move Past ‘Babylon’ to Revisit ‘Amsterdam’ by Janet Arvia March 1, 2023August 22, 2026
Posted inArts & CulturePioneer Women: African-American Trailblazers Are Portrayed in Premiere Plays by Janet Arvia February 2, 2023February 2, 2023
Posted inFilm & TVReview: Tarnished Biopics ‘Blonde’ & ‘Elvis’ Attract Gold by Janet Arvia January 21, 2023January 24, 2023
Posted inArts & CultureChicago’s Live Shows Echo Hollywood’s Oscar Hopefuls by Janet Arvia January 6, 2023January 6, 2023
Posted inFilm & TVReview: A Look Back at The Victories of ‘The Queen’ by Janet Arvia September 14, 2022September 3, 2026
Posted inFilm & TVReview: Surprise Winner ‘CODA’ Offers More Opps Than Surprises by Janet Arvia April 10, 2022April 10, 2022
Posted inFilm & TVReview: Branagh’s ‘Belfast’ is a Timeless Blast from the Past by Janet Arvia March 17, 2022March 17, 2022
