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Review: ‘Gilda’ Casts a Female Gaze on Attachment Theory

Charles Vidor’s Gilda (1946) is many things: a noir classic, psychological thriller, romantic comedy, backstage musical, Hays Code decoy, even a drinking game. But be warned, viewers who sip whenever the name Johnny is mentioned could pass out since it’s said 101 times! Cinema 101Technically speaking, Gilda belongs to a specific subset of the film noir genre: exotic […]