Ken Russell uses visual excess to faithfully translate THE DEVILS, while del Toro uses visual luxury in FRANKENSTEIN to camouflage the fact that he has hollowed out the core themes of Mary Shelley’s work to serve his own personal tropes.
Chicago feminist magazine
Ken Russell uses visual excess to faithfully translate THE DEVILS, while del Toro uses visual luxury in FRANKENSTEIN to camouflage the fact that he has hollowed out the core themes of Mary Shelley’s work to serve his own personal tropes.
